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Stony Plain Records: Canada's Roots, Rock, Country, Folk & Blues Label
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Duke Robillard - A Swingin' Session
 

 Index of Artists
 3-B |  C-E |  F-H |  J-L |  M-O |  P-S |  T-W Y to Y
 3
 Stony Plain Records 30th Anniversary
 A
 Arthur Adams
 Luther Allison
 Dave Alvin
 Billy Boy Arnold
 Asleep At The Wheel
 The Asylum Street Spankers
 Renee Austin
 The Austin Lounge Lizards
 B
 Mr. B
 Long John Baldry
 Carey Bell & Tough Luck
 Eric Bibb & Leon Bibb
 Big James & The Chicago Playboys
 Elvin Bishop
 Rory Block
 Deanna Bogart
 Ray Bonneville
 Brave Combo
 Kevin Breit & Harry Manx
 Sarah Brown
 Nappy Brown
 Norton Buffalo
 Jim Byrnes
 C
 Chubby Carrier & The Bayou Swamp Band
 Tommy Castro
 Bobby Charles
 Rita Chiarelli
 Chicago Rhythm And Blues Kings
 Christmas Blues
 Popa Chubby
 Cindy Church
 Otis Clay
 David Clayton-Thomas
 Deborah Coleman
 Commander Cody
 Joanna Connor
 James Cotton
 Pee Wee Crayton
 Crowbar
 Rodney Crowell
 Albert Cummings
 Nick Curran & The Nitelifes
 D
 Debbie Davies
 Jesse Dayton
 Downchild
 E
 Ronnie Earl
 Steve Earle
 Herb Ellis
 F
 Gary Fjellgaard
 Gary Fjellgaard & Valdy
 Rosie Flores & Ray Campi
 Chris Flory
 Damon Fowler
 Lowell Fulson W/ Powder Blues Band
 G
 Amos Garrett
 Amos Garrett, Doug Sahm, Gene Taylor
 Jay Geils
 Rosco Gordon
 Great Speckled Bird
 Grievous Angels
 Buddy Guy W/ Jr. Wells
 H
 Harper
 Emmylou Harris
 Jeff Healey
 Jeff Healey And The Jazz Wizards
 Jimi Hendrix
 High Noon
 Tish Hinojosa
 Dave Hole
 Holmes Brothers
 Walter Horton
 Tim Hus
 J
 Pj Jackson
 Doug James
 Waylon Jennings
 Santiago Jimenez, Jr.
 Kristi Johnston
 Lloyd Jones
 Jr. Gone Wild
 K
 Peter Karp
 Chris Thomas King
 King Biscuit Boy
 Smokin Joe Kubek & B'nois King
 L
 Frankie Lee
 Little Mike & The Tornadoes
 Professor Longhair
 Hamilton Loomis
 Charlie Louvin
 Corb Lund
 M
 Magic Slim & The Teardrops
 Charlie Major
 Harry Manx and Kevin Breit
 Bob Margolin
 Iain Matthews
 Ellen Mcilwaine
 Big Dave McLean
 Linda Mcrae
 Jay Mcshann
 Katy Moffatt
 Hugh Moffatt
 Coco Montoya
 John Mooney
 Big Bill Morganfield
 Maria Muldaur
 Charlie Musselwhite
 Shirley Myers
 N
 Kenny Neal
 Willie Nelson
 John Nιmeth (John Nemeth)
 Bob Neuwirth
 Aaron Neville
 Neville Brothers
 New Guitar Summit
 O
 Carla Olson
 Omar & The Howlers
 P
 The Paperboys
 Pine Top Perkins
 Bill Perry
 Rod Piazza & The Mighty Flyers
 George Porter
 Preacher Boy
 Snooky Pryor
 R
 Sonny Rhodes
 Duke Robillard
 The Rockin' Highliners
 Roy Rogers
 Robin Rogers
 Jimmy Rogers
 Roy Rogers & Norton Buffalo
 The Rounders
 Otis Rush
 Tom Russell
 S
 Walter Salas-Humara
 Savoy Brown
 E.C. Scott
 Johnny Shines & Snooky Prior
 George Smith
 Jo-El Sonnier
 South Mountain
 Jeremy Spencer
 Spirit Of The West
 Studebaker John & Nighthawks
 Sunny And Her Joy Boys
 T
 Eric Taylor
 Jimmy Thackery
 Jimmy Thackery & John Mooney
 Jimmy Thackery & The Drivers
 Rosetta Tharpe
 Dr. Duke Tumatoe & The Power Trio
 Sylvia Tyson
 Ian Tyson
 V
 Valdy & Gary Fjellgaard
 Various
 W
 Joe Louis Walker
 Monte Warden
 Muddy Waters
 Barrence Whitfield & The Savages
 Barrence Whitfield With Tom Russell
 David Wilcox
 Webb Wilder
 Willie & The Poor Boys
 Reverend Billy C. Wirtz
 Jimmy Witherspoon
 Carolyn Wonderland
 Mitch Woods & His Rocket 88's
 Y
 Mighty Joe Young
 
Amos Garrett
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gallery Amos Garrett

SPCD 1330
Genre: Blues
Released: 22 April 2008
$ 20 CDN

Release Sheet

Get Way Back: A Tribute To Percy Mayfield
  1. My Jug And I (2:56)
  2. Pretty Eyed Baby (5:48)
  3. Stranger In My Own Hometown (3:15)
  4. Never Say Naw (4:21)
  5. The Country (4:23)
  6. To Claim It's Love (5:54)
  7. The River's Invitation (Listen to mp3 clip) (3:46)
  8. Fading Love (5:54)
  9. Get Way Back (2:40)
  10. Ha Ha In The Daytime (Listen to mp3 clip) (6:08)
  11. Lost Mind (Listen to mp3 clip) (2:25)

Reviews:

Jazziz
By Ross Boissoneau

His vocal delivery is as smooth as molasses, while his guitar - indeed, the entire instrumental backing - harkens back decades.

(more)

At most, Percy Mayfield might be credited for his song "Hit the Road jack," but this disc reveals a sonwriting ability that ran much deeper and broader than one hit.Garrett's homage to Mayfield showcases not only the songs' humanity,but also Garrett's bluesy touch. His vocal delivery is as smooth as molasses,while his guitar-indeed,the entire instrumental backing-harkens back decades

Songs like "Stranger in My Own Hometown" are,perhaps,even darker than the title would suggest.Dave Babcocks' saxophones provide a link to the R & B and rockabilly of the 1950s. Garretts' guitar playing does the same. On "The Country" he plays against the organ,while drums keep a steady beat.This song too sounds like a recording from the '50s or '60s by a group of road house veterans at a slightly more uptown gig.Then the mournful saxes return,making acuaintance with Garretts' heavy-on-th-reverb guitar on "To Claim It's Love", another down-on-his-luck story. Garretts' world-weary vocals are the perfect complement to the material,and the dolorous instrumental backing is spot on.

(less)





SPCD 1299
Genre: Blues
Released: November 2004
$ 20 CDN

Acoustic Album
  1. She Don't Go Nowhere (Listen to mp3 clip) (2:34)
  2. Sam's Song (Listen to mp3 clip) (5:04)
  3. Perfume and Tobacco (4:03)
  4. Judgement Day (3:15)
  5. Hong Kong Blues (Listen to mp3 clip) (2:51)
  6. Michigan Water Blues (3:00)
  7. I Hate Myself (3:10)
  8. Bailey Hill Requiem (2:43)
  9. Always Got Your Hands On That Guitar (3:25)
  10. Grasshoppers In My Pillow (3:00)
  11. Small Fry (3:18)
  12. Some Musician Was To Blame (3:40)


SPCD 1296
Genre: Blues
Released: October 2004
$ 20 CDN

The Return Of The Formerly Brothers
  1. Smack Dab In The Middle (Listen to mp3 clip) (3:44)
  2. Big Mamou (2:51)
  3. Teardrops On Your Letter (4:02)
  4. Drunk (Listen to mp3 clip) (4:08)
  5. Don't Tell Me (3:14)
  6. Coming Back Home (1:59)
  7. Sure Is A Good Thing (3:40)
  8. Amarillo Highway (4:01)
  9. Banks Of The Old Pontchartrain (3:19)
  10. Just Like A Woman (5:15)
  11. Gene's Boogie (3:02)
  12. Queen Of The Okanagan (3:57)
  13. Louis Riel (Listen to mp3 clip) (3:50)
  14. Doug Sahm Interview (14:04)


SPCD 1225
Genre: Blues/Rock
$ 20 CDN

Off The Floor - Live
  1. Wrong Lake To Catch A Fish (3:36)
  2. Bad Bad Whiskey (4:42)
  3. Maybe It's Because Of Love (2:52)
  4. Just Like A Fish (3:29)
  5. Walkin' Blues (Listen to mp3 clip) (4:23)
  6. That's What A Little Dream Can Do (4:52)
  7. Grasshoppers In My Pillow (4:32)
  8. Buried Alive In The Blues (4:18)
  9. Sleepwalk (Listen to mp3 clip) (4:30)
  10. Goose Grease (4:21)
  11. Looking For A Sign (3:57)
  12. Willie And The Hand Jive (8:30)
  13. Conversation With John Lee Hooker (12:27)


SPCD 1189
Genre: Blues/Rock
$ 20 CDN

Amosbehavin'
  1. I Can't Quit You (3:54)
  2. Baton Rouge (3:33)
  3. Some Cats Know (Listen to mp3 clip) (4:33)
  4. Stella Ain't Got No Brains (2:18)
  5. New Orleans (Listen to mp3 clip) (4:05)
  6. Little Sister (3:28)
  7. Ha Ha In The Daytime (4:41)
  8. Cardiac Arrest (4:41)
  9. Love Song Of The Nile (4:10)
  10. Imojochu (4:35)


SPCD 1179
Genre: Blues/Rock
$ 20 CDN

Third Man In
  1. Poor Fool Like Me (Listen to mp3 clip) (3:45)
  2. Baby Your Feets Is Cold (3:20)
  3. But I Do (4:18)
  4. I Ain't Lying (2:52)
  5. What A Fool I Was (4:10)
  6. Got To Get You Off My Mind (2:40)
  7. Rainy Night In Georgia (Listen to mp3 clip) (4:17)
  8. Flying Home (3:41)
  9. Let Yourself Go (3:46)
  10. Lost Love (4:01)


SPCD 1132
Genre: Blues/Rock
$ 20 CDN

I Make My Home In My Shoes
  1. Home In My Shoes (3:33)
  2. Stanley Street (4:50)
  3. All My Money (Listen to mp3 clip) (3:00)
  4. Sleepwalk (Listen to mp3 clip) (3:57)
  5. Hair Of The Dog (3:10)
  6. Bert's Boogie (Listen to mp3 clip) (3:00)
  7. Move On Down The Line (5:01)
  8. Slip Away (4:18)
  9. Little Girl (5:09)
  10. Buried Alive In The Blues (4:27)

 

Biography

 

A Stony Plain artist biography

 

Amos Garrett: 

A fascinating, understated, and

powerful portrayal of a blues legend

 

Is this collection of Percy Mayfield's

songs the guitarist's masterpiece?

 

Amos Garrett, if truth be told, has been part of the roots music scene for well over 40 years, and right now he's enjoying the fruits of his labor.  Laid back, and with a sense of humor so dry that one could light matches on his pants, he is marking a new level of independence — and has released what his fellow musicians are already calling the best record of his long career.

 

Get Way Back: A Tribute to Percy Mayfield is a collection of songs by one of the very best — if lesser-known — songwriters in American roots music history.  And Garrett, in his wonderfully contrary way, found some of the very best tunes by the man who was called "The Poet Laureate of the Blues" — but did not include the man's most-covered songs, "Hit the Road Jack" and "Please Send Me Someone To Love."

 

"Well," Garrett explained, "those songs have been sung before."

 

Get Way Back, for once, puts the emphasis on Garrett's deep, supple voice, with his trademark guitar style perfectly complementing the lyrics, but more understated than usual. And the songs — many of them deep, dark and full of foreboding — make for a remarkably satisfying listening experience.

 

Produced by Garrett himself, and recorded in Toronto and Calgary, the record features long-time collaborators Ron Casat on keys, and sax player Dave Babcock, who also arranged the quietly effective horn parts, which feature trumpet player Alistair Elliott. Bucky Berger on drums and bassist Victor Bateman are also veterans of Amos' band, which he long ago christened the Eh! Team. Ken Whiteley, whose Toronto studio was used for some of the recording, plays piano.

 

 

AMOS GARRETT:  BRIEF BACKGROUND NOTES

It's difficult, with any successful musician, to sum up four decades of hard work and noteworthy accomplishments. Here are just a few notes about Amos Garrett.

 

• Born in Detroit in 1941.

• Raised in Montreal and Toronto.

• Early influences: Hearing Fats Domino, T-Bone Walker, B.B. King and dozens more at Montreal's long-gone Esquire Club on Stanley Street.

• First band: Toronto-based folk group The Dirty Shames.

• First major U.S. appearance: At Carnegie Hall with comedian and JFK imitator Vaugn Meader.

• First choice session guitarist: During the '70s and early '80s, Amos recorded tracks with more than 150 artists — from Stevie Wonder to Bonnie Raitt, not to mention Anne Murray (yes, you can hear him on  "Snowbird"!), Bonnie Raitt, Emmylou Harris, Pearls Before Swine and Maria Muldaur (everyone remembers his one-take solo on Midnight at the Oasis), and Jesse Winchester.

• Touring: Worked as a member of Ian & Sylvia's Great Speckled Bird and Paul Butterfield's Better Days; and toured with Maria Muldaur as her bandleader. Has had his own band, The Eh! Team, for more than 25 years.

• Guitar heroes Chet Atkins, Richard Thompson and Mark Knopfler have all praised Garrett's unique style.

 

His musical partnership with Geoff Muldaur led him to his Stony Plain debut with the release of a laid back album of duets by the pair in the mid '70s. Now sadly out of the catalogue, it was followed by Go Cat Go, Make My Home in My Shoes, Third Man In, and the Juno-winning collaboration with Gene Taylor and Doug Sahm, Return of the Formerly Brothers.  A live album with Doug and Gene, recorded in Japan, followed, and Amosbehavin', Off the Floor Live, and Acoustic Album added to the catalogue.

  Garrett has long been one of Stony Plain's signature artists, and the thought of recording an album of Percy Mayfield songs was eagerly endorsed by artist and label alike.

After all, there are very few R&B singers who haven't recorded at least one of Percy Mayfield's songs, and that list includes Ray Charles, Etta James, Bobby Bland, B.B. King, Johnny Adams, Jimmy Witherspoon, Junior Parker, Amos Milburn, and Nappy Brown, not to mention more recent interpreters including Mose Allison, Luther Allison and Long John Baldry.

 

 

AMOS UP TO DATE

"I'm celebrating the fact that I'm now, officially, the recipient of pensions from the United States and Canada, and my wife is working," Amos Garrett explains from his Victorian house in High River, Alberta.

This does not mean Amos has retired, He has another Japanese tour on the books for next year, he'll be leading the famed House Band at the Edmonton Folk Festival again, there are summer festival dates and there will be dates in eastern Canada in the fall. Meanwhile, he plays in town with a jazz-based trio; small group bop-tinged jazz, he says – "Monk, Miles. Very accessible."

He loves the small-town life. "Joe Clark (once Canada's Prime Minister) was born and raised down the road, W.O. Mitchell; the great Canadian humorous writer, lived three doors down from my house. I can go fishing nearby whenever I want, and my wife and I are taking a course in digital photography."

The new CD? "Percy's songs, when I was introduced to them in the early '70s, really set my direction. I've recorded some of his songs before, but this brand new collection is my tribute to a giant songwriter. Sharing these songs is very special to me."

 

—30—

  April 2008

 

 

A QUICK NOTE ABOUT PERCY MAYFIELD

Born in 1920, in a tiny Louisiana town, he was possibly the greatest R&B songwriter in the years between 1947 and the mid-'60s. He was also handsome, a convincing singer, and was tipped as the next  upcoming star, ready to eclipse Billy Eckstine, the hot black crooner of the day. Meanwhile, his songs were getting covered — and his own version of one of them, "Please Send Me Someone To Love," was a #1 hit.

Then tragedy struck. A horrendous auto wreck left his face terribly disfigured. Loathing being seen in public he rarely performed after that and then only because he needed money.

However, he did continue to compose and most of his masterpieces were written in the next 20 years. His most popular song, "Hit the Road Jack," was a #1 Billboard pop hit for Ray Charles in 1961, who then signed Percy to his own Tangerine label and produced Percy's two best albums (My Jug and I, and Bought Blues).

He died of a heart attack in 1984, at the age of 63, living in relative obscurity.  As Garrett points out in his sleeve notes for Get Way Back: "Despite the dark nature of his songs, they always maintained a high level of dignity and beauty — never maudlin or weak in any sense.

"This album is a tribute to Percy Mayfield and to the triumph of survival itself; sometimes that's as good as it's going to get."